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![]() Domenico Cimarosa, arr. Benjamin: Concerto in C for oboe and strings Liverpool Philharmonic Orchestra, conductor Dr Malcolm Sargent (1943) J S Bach, arr. Whittaker: Sinfonia from the Easter Oratorio Liverpool Philharmonic Orchestra, conductor Dr Malcolm Sargent (1943) Jean Baptiste Senaillé, arr. Moffat: Cotillon Gabriel Pierné: Aubade Trad, arr. Hughes: Irish Song Alec Templeton: Scherzo Caprice all with Gerald Moore (piano) (1961, stereo) Eugene Goossens: Concerto for oboe in one movement Philharmonia Orchestra, conductor Walter Susskind (1948) J S Bach, arr. Thalben-Ball: Jesu, joy of man's desiring Temple Church Choir, Dr George Thalben-Ball (organ) (1961, stereo) Desmond MacMahon: Oboe concerto, 3rd movement BBC Midland Light Orchestra, conductor probably Gilbert Vinter (1953) Richard Strauss: Oboe Concerto Philharmonia Orchestra, conductor Alceo Galliera (1947) Total Time 66:35 There are also two bonus tracks on YouTube: Jig & Where'er you walk. Booklet Notes ![]() Andrew McGregor, BBC Record Review "I cannot praise this CD highly enough. It is a great retrospective of one of the finest oboists of the twentieth century. The programme is well-balanced between serious and lighter pieces. The re-mastering of the original records has made it a pleasure to recapture Goossens' style and masterly technique." John France, MusicWeb International "The recordings on this disc are truly legendary... the result is artistry of incomparable quality, well transferred on this well-filled CD." Robert Matthew-Walker, Musical Opinion "Not all oboe playing - even good oboe playing - moves me, perhaps because I know how it is done. But Goossens on this album does move me, because I can always feel real human expression behind everything he does. "Mixing orchestral pieces with smaller works for oboe and piano wouldn't work in a contemporary album, but it does here - the smaller pieces seem to be a distillation of Goossens' art. Some of the music is almost children's music, but it is always played with honesty. If you look at photos of Goossens he looks very masculine, but in these shorter pieces he emphasises his sensitive side." Han de Vries, Double Reed News (UK) Jennie Goossens, UK. Elsewhere, Jennie has said that her father never brought 'work' home, so this concerto obviously required extra practice. Jennie writes about her father here. "I listened to the CD several times last night and much enjoyed it. Goossens' playing is quite special and I hadn't really heard it before. The Gerald Moore accompaniments were lovely. Nick Daniel's interview and commentary are terrific. The Strauss was fascinating - the cadenzas, as Nick says, are indeed stunning and the last movement tempi quite unusual." Michael Gwinnell, UK
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