www.howarth.uk.com
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Recordings to celebrate the world of the oboe |
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BAROQUE SPIRITCC2001
CD DETAILS
(click what you want to see)
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LA FONTAINE
Koji Ezaki - right in the picture (oboe, treble recorder, bassoon)
Masamitsu San'nomiya (oboe)
Teruo Takamure (cello)
Makiko Mizunaga (harpsichord) |
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Based in Tokyo, the ensemble "La Fontaine" was founded in l996. Six months after its first concert in October 1996, the ensemble was a prizewinner at the Yamanashi/Tokyo Early Music Competition. In 1998 they participated in the York Early Music Festival in Britain. Two
years later, they performed at the International Early Music competition in Bruges, where their performance won the second prize, the audience prize, and an invitation by Philip Pickett to participate in the 2001 Early Music Festival at London's South Bank Centre.
They perform regularly in major cities throughout Japan, including the prestigeous Casals Hall in Tokyo. They have been broadcast several times on Japanese Radio (NHK-FM). This is their second CD.
THE MUSIC
(Click underlined movements to hear sound clips)
Joan Baptista & Josep Pla (18th Century): Triosonata in G for two oboes and continue, D:III, 12
Allegro - Adagio - Allegro
Georg Philipp Telemann (1681-1767): Triosonata in A minor for treble recorder, oboe and continuo
Largo - Allegro - Cantabile - Allegro
Giuseppe Antonio Brescianello (c1690-1758): Concerto in B for oboe, bassoon and continuo
Largo - Allegro - Largo - Allegro
Johann Joachim Quantz (1697-1773): Triosonata in G minor for 2 oboes and continuo, QV 2:40
Largo - Allegro - Andante - Presto assai
Georg Philipp Telemann: Sonata in C for treble recorder and continuo
Adagio-Allegro Larghetto - Vivace
Johann Friedrich Fasch (1688-1758): Triosonata in G minor for two oboes and continuo, Fasch WV N:g2
Andante - Allegro - Un poco Allegro
Georg Philipp Telemann: Presto
from Concerto in E minor
The CD booklet contains an article (in English, French and German) by Stephen Pettit on the lives of the composers, and also on the social and economic circumstances in which the pieces were written, and for whom. There are more details on the instruments and the players.
The works on this disc are predominantly Trio Sonatas, composed in the early to middle eighteenth
century. The trio sonata was the most popular (and profitable) musical form of that time, perfectly
designed for the amateur market. Requiring three or four players, it is ideal for the convivial social
occasion. Unlike the solo sonata, it does not tempt any single musician to show off, since all parts
are more or less equal (an exception on this CD is the Trio Sonata by the Pla brothers, where both
oboists are expected to display their virtuosity).
In general, a trio sonata might be performed by cultured and more or
less skilled friends as a leisure actuivity; or it might be played by a noble person's court musicians -
cheaply, considering the limited person-power demanded - with only m'lord and m'lady as
non-participating witnesses; or it might form part of the repertoire at one of the many musical
societies' evenings - an accademia in Italy, a collegium musicum in Germany, a philharmonick
club in England. Copyright Stephen Pettit 2002
Press Comment
"It is clear from this excellently produced CD why they are prize winners in both Japan and Europe ... The playing by La Fontaine throughout this disc is elegant and beautifully balanced, and in the fast movements they display brilliant control, enviable technique and joyous music making." Jane Woolfenden, Double Reed News (UK)
"... exuberant ... including a startlingly showy Trio Sonata for oboes by the Catalan Pla brothers." Anthony Burton, BBC Music Magazine
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