raising the profile of music by women
This page assumes you have read the Introduction
and Grant-Making Policy.
The closer you follow these Guidelines, the greater your chance of success.
Indeed - priority will be given to applications which do that.
How to apply to the Ambache Charitable Trust
This guide sets out the information which applicants must provide, and should answer your queries. However, if you have any question
not covered, contact ACT before submitting your application.
Download the Application Form, which is a Word Document. Fill it in; then send three paper copies
and an identical version as a pdf email attachment.
Send only the 2-page form; no other information will be read by the Trustees.
Our contact details are here. Do not use registered mail or
recorded delivery; all applications will be acknowledged by email.
Applications will be considered quarterly; the deadlines are midnight on each of the final days of March, June, September and December.
Late applications and retrospective applications will not be considered.
All applicants will usually be notified within a month of these dates.
Please note that this is grants and not funding.
Grant receivers should acknowledge our support with our logo, and this statement in all programmes, books and liner notes:
'The Ambache Charitable Trust is active in raising the profile of women composers'. On completion of the project, the Trust expects
a Report, describing what was achieved; anyone planning to reapply is required to send one in before any further consideration is given.
Reapplying: Any individual, composer or organisation who has received a grant from the Trust may only reapply after a year has
elapsed following that grant (dated from its receipt). Further applications will only be considered when the Trust has received a Report on the previous one (sent as a pdf);
this should give an overview of what was achieved, how many people heard the music, heard of the music, and any critical comment.
Both women and men may apply. The grants are UK weighted, but international applications will be considered. Remember the Trust's
interest in historical women. It is a competitive process; for a quarterly budget of £10,000, the Trust receives between 10-15 applications
every 3 months and then awards about four to six grants.'Hoping' generally cuts little ice with the Trust. We are looking for firm information.
If you wish to be taken seriously, then take our Guideliness seriously. Previous grants can be seen here.
NOTES ON COMPLETING THE APPLICATION FORM
The numbers below correspond to the question numbers on the form.
Please note that the maximum length of the completed form is two pages.
1. Project title. The name of the project should capture people's interest; fuller comments come in sections 2 & 3.
2. Description. We want a fuller account and the context of the project. Is it part of a series? Tell us about the composer and what this contributes to her appreciation.
Please include the date(s) of performances, details of venues, the performers taking part and the repertoire to be performed. A strong track record will enhance your application.
3. Applicant and organisation Who is applying? What is your previous experience? It's likely that if you can
interest us, you can interest audiences as well.
4. Publicity and marketing Please note that our strapline is raising the profile of music by women; we take it very seriously. Please think about how
many people you could reach. The firmer the information, the more likely we are to believe you.
5. How will you assess the impact? We want to see an overview of the whole achievement. State how you will calculate the
number of people you will reach, eg who will hear the music and will hear of the music. What effect do you think it will have
on them? Who will benefit and what long-term difference will your work make?
6. What would you do with a grant? Include an outline budget for the project, keeping your statement to the activity relevant
to the Trust and explain how you plan to raise any further costs. Please state estimated income and expenditure (receipts from ticket
sales and advertising, grants from other sources, etc). If you are applying for a single event within a series or festival, then supply
the budget for the single event rather than the series. If it is, for example, one item in a concert, put the budget for that item only.
Give details of all outstanding applications for funding to other bodies including national Arts Councils, grant-making Trusts
and charities, individuals and commercial sponsors. If these details change, please let the Trust know.
7. Annual Turnover. This gives us a perspective on your activity; include charity and/or company registration numbers where applicable.
8. If your application is to support a commission give details of further performances. We require a second performance of a newly commissioned work;
so, give details of the other performances. You should provide biographical details (or web links) of the composer and their works, and the expected duration
of new work(s). Applications for recording projects should include the recording date, pressing size, release date, distribution (including streaming and downloads)